-
My path to girl geekdom.
Yellow, not pink. Shel Silverstein, not Mother Goose. Dad on guitar, not songs on tape. Unicorns, not horses. Galaga, not Ga-Ga dolls. Muppets, not puppets. TMBG, not DMB. Fraggles, not ruffles. Wrinkles in Time, not Babysitter Clubs. Crusher, not crushes (but: crushes on Crusher) Ant farms, not petting zoos. Home-made, not Little Debbie. Poe, not a poser. Science, not social, experiments. Renn, not savoir, faire. News Radio, not Friends. Kids in the Hall, not SNL. Bald Eagles, not American Eagle. The Next Generation, not Generation X. Smoking hobbits, not smoking habits. “ooh!” not “eww!” Mallrats, not actual malls. d20s, not detention. Fangirl, not fanclub. “Bloody Mary” – not Bloody Maries.…
-
Dreams and revelations.
I have written lots of stuff over the years, but my problem is always finalization, finishing. The first finished novel I ever wrote is a prequel, of sorts, to The Aldersgate, occurring in the same world but some 400 years before. It’s called Peter of Windbourne, and it has been sitting in stasis for… oh, three years or so. First novels are a tricky business. Writing them is like having your first crush; it’s a hectic, messy, emotional process, and the outcome isn’t necessarily something you hold onto for the rest of your life. Peter isn’t that bad, but it’s had a major, central problem that has taken me a…
-
All the world’s your stage: the performativity of online presence
My freshman year of college, I discovered MUSHing, specifically Elendor, the Tolkien-based MUSH. Besides being a hole for creativity (well, who needs to write anything original when you’re in a world as detailed as that one…) it was my first real exposure to an online community. And it’s there that I discovered the vast difference between real and perceived personalities in virtual space. I called it a MUSHPersona. There were people, for instance, whom I knew in real life as relatively mild-mannered bookworms, who online became sarcastic, self-important, jerks. Shyguys turn into relentless flirts. Housewives turn into vixens. And I’ve found, especially with the birth of social media and the…
-
Embracing my inner dragon… early fantasy writing.
Most of my college years were spent trying to be a “real” fiction writer. That is, writing crappy short stories and outlining (okay, thinking about) crappy novels in the real world, with real problems, and real issues. While I would say it was wasted time, I don’t think that’s the case entirely. I mean, all writers have to grow, right? I was just embarrassed to love SF/F so much; I believed that it was, on some level, childish and certainly not a legitimate endeavour. Well, thankfully I came to my senses after I got my BA. But even before that, I couldn’t shake the fantasy bug entirely. Rifling through my…
-
The mask and the mirror: Otherness and fantasy literature
Take some elves, dragons, dwarves, hobgoblins, orcs, fairies, gnomes… (ad nauseum; lather, rinse, repeat) and add a protagonist, a wizard, and a magic weapon then voila: you have a fantasy novel. Other races, other peoples–especially those living in other worlds–typify, for many readers anyway, the very heart of fantasy literature. We want maps, cultures, civilizations, religions, and the oh-so-obvious dichotomies of good and evil. It’s comfortable, from a reader’s perspective, to fall into a world that is familiarly different–not uncomfortably so. The best-selling fantasy series of all time most often adhere into this very pattern. While some “classic” fantasy has fallen out of fashion as far as working writers are…
-
I write because…
it makes me happy. the voices tell me to. other voices tell me not to. it’s what I know. it’s everything unknown. it’s who I am. it’s everything I’m not. it’s escape. I want to leave something behind. there are too many stories to tell. there are too many secrets to share. there are too many zombies at the window. it keeps me company. it saves me from reality. it brings me closer to the real world. the machine is already primed. everything’s already been written. it might be better if I write again. it’s the best of me. it’s the worst of me. it’s the greatest freedom I know.
-
WIP excerpt from Blue Heron
First draft caveats, but I liked this bit. Aboard the Vagrant, approaching a dead Earth. — Sacha sputtered as she came to, gagging again on the tube down her throat. She had not got the hang of it, even eight trips in. Her first thought was: Shit, not even remotely helpful. “Calm down, just a second,” came Dr. Sten’s voice, low and comforting enough to convince Sacha to stop sputtering. She felt the tube slide out, taking phlegm with it, and she gagged a few times, seeing spots. The lights were dimmed in the room, but she could still see the screen blinking to her right, the images of the…
-
Old school #queryfail
Your manuscript is both good and original, but the part that is good is not original and the part that is original is not good. – Samuel Johnson I mean, he only wrote the Dictionary. What did he know?
-
The day Clary Darcy destroyed the world.
I entertained the notion of writing a YA novel a few months ago. Didn’t get too far, but I stumbled upon the 522 words that I did write down and found it to be rather amusing. Made me smile, at least. Thought I’d share. — We begin with the end. The end of a world: a plunge into darkness, destruction and despair. The usual. An accident, an impossibility, and yet, a fact. Clary Jane Darcy stood in the middle of it, aware that she had caused it, and not yet certain that she was still alive. She could feel her mind, understand that she was thinking, but her body felt…
-
Perspective tension
I am still having a problem. When I wrote Queen of None a few months ago, it happened very quickly. To this date it’s the fastest I’ve ever written a book. At the time, writing it was the easiest thing in the world. Everything flowed magically, or so it appeared to me, and when it was done it was with a feeling of rather impressive triumph. I may have danced. Now I’m editing, and I’m having issues. Just coming off of another book, which was third person limited, this first person narrative is seriously getting under my skin. Where I thought it was engaging before, I’m feeling like it’s annoying…
-
The blood between the lines: writing who we are
When I was three, my world was changed irrevocably. I had been a very happy child, by all accounts, albeit a little precocious and sometimes serious for my age. I loved art, music. I used to stand next to my dad while he played guitar, and leaned my head on his knee to hear the vibrations of the music. I watched my mother sketch life from the nib of a pencil. But no one was as life-changing for me as my sister. Llana was born, and everything came into focus. I remember virtually nothing before she came into the world, this little blond miracle. Though now she’s an elegant woman,…
-
Six of these, half a dozen of the other – a character conundrum
I am making every effort to write and/or edit every single day, whether it’s a work in progress or something past the first draft. It’s part of the whole, “I’m going to act like this is a professional gig” approach I’ve been instating over the last few months (to surprising success, I should add). However, I’m having a really hard time shaking the last batch of characters for any new set. It’s almost amusing, but since it’s coming in the way of a current editing project I’m trying to do (preparing Queen of None beyond the first draft) it’s bordering on plain irritating. It’s quite literally a fact of characters…
