arthuriana,  publication,  queen of none

The Faces of Queen of None

It’s been… a week. But, in exciting news: I handed in my edits for Queen of None. And since the book has been knocking around my brain, when I stumbled on Artbreeder… well. I just had to make a little rogue’s gallery of some of the primary players in the novel. I’ve been sharing some of them on Twitter, but figured it would be fun to keep them here. For, you know, posterity.

 

 

Here’s a little family tree primer:

 

 

Anna Pendragon is our heroine and narrator. She’s the sister of Arthur. Gweyn is Arthur’s wife.

 

 

Together with her first husband, Lot, Anna had Gawain (also Gaheris and Gareth, but they come later). While Arthur is her full brother, she also has three half-sisters: Elaine (not pictured), Morgen, and Margawse. Bedevere is Arthur’s right-hand man, and also Anna’s old paramour. Vyvian is her aunt. Merlin and Lanceloch, well, they aren’t directly related, and too much about them might make some spoilers.

audiobook
Natania Barron

Netherford Hall is here!

It’s always a bit of an emotional situation when you finally publish a book. I mean, all my books are special to me, but they are all their own journeys in terms of the process and who I was when I was first writing the book. To get to the beginning of Edith and Poppy’s love story, we go back to the pandemic times. A lot was going on for me during that time, in addition to all the just existing. I was diagnosed with ADHD. The house felt like a pressure cooker. The news, every day, felt like I was progressively living in some dystopian nightmare (still haven’t ruled that out, by the way). Yet, despite that, something shifted in me as a writer and as a human being, and writing became my focus. In the face of all of the awfulness of the pandemic, I stopped caring about what people thought about my writing. I decided I was going to write something authentically me, chasing the kind of stories I needed most, and focus on joy first. Not that I had anything bad against my other novels. But at the time, the Queens of Fate books were in total limbo. I had no idea what was going on, or that the press was going to fold, just that I wasn’t ready to write Queen of Fury yet. My hope was, if I could do this, I might finally find an agent. And, it turns out, I did. In order for me to find the anger and the passion of Queen of Fury, I had to live in the joy and the romance of Netherford Hall. 2021 was a big year for me, and I ended up finishing both books and finding an agent and winning the Manly Wade Wellman Award for Queen of None. Netherford Hall was intensely emotional for me, despite being a lighter book than my usual fare. Something about Edith and Poppy’s relationship really struck a chord with me, and given how close I came a number of times to getting an agent with my previous book, Glassmere (girl, I love you, but I don’t know what to do with you), I needed to scrape myself up off the ground and just fall in love with the process again. I needed Edith and Poppy, for their silliness, their sensuality, their wonder, their faults, their neurodivergence, and their love. This is the story that I needed at 20, still trying to figure out what I was, how I moved through the world, and what I desired. I also needed Netherford Hall itself. It turns out, that’s what got my agent’s attention in the first place. Sentient houses have a habit of doing that. I cried a lot writing Queen of Fury (which is weird because I don’t usually do that writing), but I cried myself to sleep one night writing Netherford Hall for no real reason other than the longing they felt, and the joy of them finding one another again, and this sense of connection I had to the book. The book came so fast and so furious, it was hard to keep up with it sometimes (not the case with QoF, may I add–that was like a freaking torturous trek through the mud at times). I felt like I was discovering the book more than I was writing the book, translating a tome rather than creating anything. All of Netherford just sprang to life before my eyes. It may never be that easy again. And that’s ok. Writing Netherford Hall also birthed ThreadTalk, and I am forever grateful for that. But the journey to publication wasn’t easy. We had a TON of interest when it went out on sub, but Stacey and I had rejection after rejection, and so many close calls that it was mind-boggling. They were the most lovely rejections, too. But there was always a reason–someone, somewhere, where the buck stopped, or bad timing, or just “not a good fit.” It’s not personal, and I’m honestly not bothered by rejection. I just thought it was weird that people so clearly wanted this book, but it wasn’t finding a home. I happened to post about it on Twitter, and my already-editor David at Solaris was like, “Hey, send it to me.” Nothing, ever, has been normal about my publishing journey. Anyway, David liked it. To this date, he has the best encapsulation of the book of anyone: “Okay, so I love it. It’s glorious and sexy and silly and full of joy. We’re definitely interested.” Now, here we are, and it’s a trilogy! And readers are finding it! And enjoying it! And I am so, so proud. It’s a better book for Stacey and David’s suggestions and edits, and the cover is glorious, and people are now saying, “Stars and the speckled firmament!” Best yet, I get to keep telling the story of Netherford, a love letter to Kent where my dad spent a summer as a child, and then brought us to visit in 2000. I’d never seen such a beautiful place in my life. Even if, on the train ride over, all my dreams of Turkish delight were utterly shattered, it was worth it. I’ve just returned from Scotland, and preparing to finish Roland and Basil’s story, so it does feel a little full circle. Edith would love Edinburgh, and Poppy would hate it; the vampires would absolutely devour it in the best way possible; Roland would hate the food (he’s French) but Basil would wonder at all the flowers. So I think it’s time to write that glorious city into this tale, as well. I also bought a bottle of Penhaligon’s Solaris perfume in Edinburgh (which has this sun-warmed, white floral with orange blossom almost sunscreen thing that is so good) to celebrate. Because, in addition to book three featuring Edinburgh, it’s also about perfume. Anyway. If you’re a writer reading this, it’s a reminder to write not just what you know, but what you love. In all the tumult of this industry, it is often the best way forward. Anyway, you can find Netherford Hall online mostly everywhere, and the audiobook featuring Hannah Curtis (WHO IS SO AMAZING) launches on the 20th!

publication
Natania Barron

Is Netherford Hall a Cozy Romantasy?

We are now deep in the throes of ARC reviews for Netherford Hall, and while I try not to throw myself on the mercy of reviews, one observation from some readers has made me rethink this book a little. (The people who love this book really love this book and this post is not for them.) The end of the book is certainly fast-paced, but the majority of the book is not. Like the world of Jane Austen, from which it was inspired, the focus isn’t on high action, complex plotting, or angst and danger. It’s about relationships between characters, establishing their connections, demonstrating their problems, and seeing what happens when they all run into each other. More than anything, though, it’s about giving the reader a chance to visit their world. Netherford is a quaint Kentish village abutting a few great houses–Netherford Hall, of course, as well as Burkley House. It’s a cross-section of all the people who made up the town: the old guard, including the Molly and Basil Hode; the more recent tenants, the Brightwells; and the returning gentlewitch family, the Rookwoods (including Auden Garcliffe, who does not inherit the Rookwood name, but serves as a non-magical member of the house). It is slice of life. There are quite a few quiet scenes in gardens, in kitchens, in withdrawing rooms, and in town. The focus, for me, has always been on building character dynamics in the story rather than hammering on plot, because that’s how Jane Austen’s books are and it’s something I love tremendously in reading. One of my favorite scenes was actually inspired by an assignment from Fran Wilde, which required writing a scene with characters making tea. It turned into an adorable kitchen moment between Poppy and Edith, each very conscious of the other’s presence, and struggling to work their way around a kitchen. It was an opportunity to describe that kitchen, the kettle, the smell of the tea, the feeling of the table, all while watching that delicate dance of people falling in love together. And really, the first 70% of the book is just that. It’s getting to know the inhabitants of Netherford, focusing in on details like fashion and atmosphere, language and society. It’s costume details and embroidery, architecture and banter, flowers growing and settling into the rhythm of the world. That works for a lot of folks, I’m happy to report. And it’s totally okay if it doesn’t work for you. So yes, I think, looking at this now, that Netherford Hall is quite cozy. And so, too, are the books that follow (to greater and lesser degrees depending on the stakes of the game). The goal, for me, was to bring you to Netherford, to open the door to this world where witches and mortals, vampires and werewolves, and people of all kinds, love and live. You can request Netherford Hall on NetGalley now. And, of course, pre-orders are available in anticipation of the August 13 release! From the aforementioned tea scene… Three big water crocks stood side-by-side by the back door, the worn old wooden ladle resting across the top. A safe place for Poppy to begin, as she’d snuck many as sip in her childhood from this very contrivance, and the first step to brewing tea was water. She popped open the stopper, but realised that she did not have a suitable container into which she could pour the water, and spilling half of it on her way to the stove was unlikely to make the best impression.  “What kind of tea do you prefer?” Poppy asked, taking a detour to the shelf where the teapots sat in neat order. “We have a little bohea left, which is Papa’s favourite, but at a time like this I’d think something like simple chamomile might suffice. I collect it in the summer, and Mrs. Pratt dries it for me.”  “Delightful,” said the gentlewitch, her eyes never leaving Poppy’s form as she moved—which Poppy found she did not mind. “You are quite the botanist.” “Hardly,” said Poppy. “Viola is the expert. I am just cursed with a perpetually curious mind. That, and I can’t see the point of such delicious tea being left to trample by the local flocks. Seems such a waste, really.” The old copper kettle in the middle row up on the shelf was rather battered, but lighter than the cast iron—which would, at any rate, have required stoking the fire rather than using the remaining heat of the stove. Poppy could almost see the old design etched on the kettle’s burnished sides; the interlacing sweet-pea vines had been worn nearly indistinguishable by use. “We got the cooktop stove only last year,” Poppy continued, now that she’d chosen her implement. “So I’m afraid I’m a little unused—” “Here, let me help,” said Liege Rookwood, standing immediately, as if glad to be of service. “Perhaps you’re not used to such advances at Harrow House, but in London we had one like this, and as I endured many a night awake, I learned its mysteries—not wishing to bother the staff, of course.” For a highborn gentlewitch, Liege Edith Rookwood moved about the stove with remarkable familiarity. Poppy had noted how athletic the gentlewitch was, of course. But it was the ease with which she carried herself that was truly remarkable. She removed her jacket, rolled up her sleeves and buttoned them, then located the kindling and matches, and had started a low, crackling fire in minutes. “There, I think it’s warm enough to begin the kettle,” said the gentlewitch, standing and clapping her hands together. “It’s been a while since I’ve done such a thing, but it’s good to know that my abilities haven’t vanished altogether.” “Marvellous,” said Poppy, putting the kettle on. “You will have to show me. I cannot always rely upon the staff.” “I hardly think they’d allow such a thing,” said Liege Rookwood with a grin. “But you do not strike me as a woman who will be swayed once her mind is made. If I do not teach you, you will find some other helpless wretch to pass on the knowledge.”

queer
Natania Barron

What is a gentlewitch?

We are quickly approaching the release date for Netherford Hall, and I’m currently busy working on the third installment, The Game of Hearts, right now, so my brain is thinking about all things gentlewitch. (Which is available to pre-order in paperback and in ebook–and soon in audiobook.) Now, this is a term I’m very familiar with. In fact, I’ve been writing so much about gentlewitches that I forgot it’s a term I made up. So, I wrote a little backstory about said magical beings, a la Tolkien’s “Concerning Hobbits.” What is a gentlewitch? To understand the Love in Netherford series, one must first become acquainted with the role of a gentlewitch in English society. The year is 1812. The Great Peace between witches and mortals has stretched for a little over two hundred years, but preternaturals—witches, werewolves, and vampires—have lived side-by-side with humankind for at least a millennia. Just not always in agreement. We have Queen Elizabeth I for establishing the first gentlewitch titles, elevating thirteen houses to a peerage, gaining land and status in exchange for pledging their loyalty and lives to the protection of the Crown. It was 1578, a year after the Witches Spiritual aided Elizabeth I against the Spanish Armada, that the Coven Council was officially absorbed into the larger body politic. In 1717, when the Parliament of England became the Parliament of Great Britain, the Coven Council was officially recognized as an extension of the Lords Spiritual. There are thirteen members of the Coven Council, all of which are inherited positions, but voted on by members of the founding families. Beyond the Coven Council, there are hundreds of gentlewitches across Great Britain and the Continent, who all trace their lineage back to the first thirteen families. Each has an ancestral home, though many live and work in London or abroad. In times of yore, it was said gentlewitches were more powerful closer to their ancestral homes, but that has been disputed. Gentlewitches may own property, inherit property, and marry as they like. As a whole, they have been the driving force for progressive change, helping to alleviate tensions wrought by the East India Company, slavers, and privateers. Other witches do exist in the Realm, but they are not part of the thirteen families, and are referred to as hedge witches. Hedge witches must register with the local gentlewitch household, share all their magical inclinations, and file for specific magical provisions in order to practice their powers under the protection of the local house. Especially powerful hedge witches may be “tempered”—adorned with bangles of metal which curb their magic for the safety of all. With no structure or accountability, they must be closely monitored for potential instability. All witches live longer lives than their mortal counterpoints, aging more slowly over time. Getlewitches each choose a discipline of magic to focus on after their harrowing, a secret test of physical, magical, and mental prowess, most take in their twentieth year. This assesses their strengths and weaknesses, and the results are shared with the Coven Council for posterity. Officially, members of Parliament are welcoming and grateful for the gentlewitches and Coven Council for their wisdom and protection. Unofficially, there is some resentment with their continued power and influence. There are many other witches and mages across the world, of course, but their governance is relegated to their specific countries of origin. Edith Rookwood, one of the protagonists of the series, is a gentlewitch–but not a remarkable one, at least not at first. Her harrowing was unremarkable. In fact, she barely passed it. A big part of the series is her discovering her capabilities and confronting her own desire for power. And a desire for power is probably the biggest weaknesses among gentlewitches. Although this world is more diverse in terms of sexuality, demographics, and power between genders–and that good stuff is certainly brought about by gentlewitches–they still love power. And this causes all sorts of problems, especially when we discover where their power comes from in the first place. Finally, here is an excerpt from Netherford Hall, featuring some of the key players: Poppy Brightwell (Edith’s love interst), Auden Garcliffe (Edith’s uncle), and Laertes Byrne (vampires) over dinner. Poppy derived no pleasure speaking with Laertes Byrne. He gazed at her as if she were a crooked painting he could not straighten, and it made her squirm. “Tell me, Mr. Byrne,” Poppy said, refusing more wine from one of the servants. She had to be careful tonight. “What do you mean by ‘the old ways,’ in regards to Netherford Hall and the gentlewitch?” Mr. Byrne gave a smug grin. “Oh, I forget, little darling, how unfamiliar you are with the ways of the arcane folk.” “Though I’ve lived here most of my life, we’ve never had a gentlewitch in that time,” she simpered. “And my mother and father never spoke of vampires.” Yes, she could play the ingénue if needed. “Then let me enlighten you. It is said that the Fae themselves bestowed powers upon the witch bloodlines, back before the world changed, when we were one people,” said Mr. Byrne, breathing in the substance in his glass. He had not been served food in any form other than liquid. “All three preternatural houses—witches, vampires, and werewolves—are said to be descended from the Fae. And it is from the Fae that we inherit our traditions.” Poppy suppressed a shudder and forced an interested expression on her face, batting her eyelashes coyly. “Such sentiment is terribly out of fashion,” chimed in Mr. Garcliffe. Mr. Byrne shrugged. “You short-lived creatures wouldn’t know fashion if it was wrapped up in paper and tied with ribbons,” he scoffed. “But I digress! Regardless of Mr. Garcliffe’s opinions, the ‘old ways’ are clear on disputes such as these: the contending witches must come face one another in the Rite of Place. It is a kind of second harrowing.” “Harrowing?” Poppy did not have to feign her ignorance this time. “That’s the test of a witch,” said Auden. “It is completed before a witch’s twentieth birthday, to discern which branch of witchcraft suits them best.” “It’s more complicated than that,” said Laertes. He sloshed around whatever substance he was drinking and made a sour expression. “In order to best nurture their strengths, which are typically quite clear during the harrowing, they are attuned to their homes. I doubt even Mr. Garcliffe understands that particular ceremony, as it is shrouded in most sacred secrecy. But a witch, gentle or otherwise, is only as powerful as the land she cares for.” “That’s why you came to Netherford,” said Poppy, addressing Auden. “And why the Rookwood-Nourses want it so badly.” Mr. Garcliffe gave her a weary nod. “Indeed. But, unlike the larger dynasties, we have limited capacity.” “Such a tragedy,” said Mr. Byrne. “The Rookwood-Nourses are looking for a place to put down their own roots. Netherford has old bones, and Netherford Hall most of all. “At any rate, a Rite of Place is likewise an attunement. It is also a contest, of sorts, for the land itself. An arcane duel.” Poppy felt as if she was missing something. “Why didn’t Liege Rookwood bring about the challenge right away?” “Because,” said Auden, “as I said, it is considered somewhat old fashioned. A bit, ah—well, backwater. Perhaps not best for someone still trying to improve upon her reputation.” “That, and everyone knows that our liege is not the most, shall we say, dazzling enchanter,” said Laertes, voice dropping even lower. Poppy flushed, shocked at Mr. Byrne’s tactlessness. She may no longer be beholden to the gentlewitch, but she had absolute confidence in her abilities.  The vampire’s words offended her to her marrow. “Well, I have every bit of faith in her,” said Poppy. “And I cannot imagine a situation where she wouldn’t find some path to success. Netherford Hall is in her very bones. She belongs there as much as the village belongs between the rivers.”

arthuriana
Natania Barron

Queen of None is Now Available Everywhere!

No, this is not a repeat from 2020. Well, that’s not entirely the truth. As you may remember, the Queens of Fate series was picked up by Solaris books early last year, and Queen of None has officially been re-issued with a brand new cover, updated text, and new acknowledgements. This truly is the little book that could. This morning, I sat in my car to get some celebratory coffee, and listened to the beginning of the book narrated by the amazing Deborah Balm. She just absolutely inhabits Anna’s spirit in a way that made me quite emotional. As an audiobook nerd myself, I was thrilled when her voice sample first made its way to me and even more in awe now that I’m able to hear the whole story unfold. Truly a dream come true. You can grab Queen of None in paperback, audiobook, and eBook just about everywhere. And then later in December, Queen of Fury finally comes raging in…

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