Glassmere marks my second real foray into a planned novel. The outline isn’t terribly strict, and it’s always changing and morphing. But it’s like this bright backbone I’m building around. For a seasoned pantser, this is a huge departure. What I like most about the outline, though, is that it’s not as rigid as I thought it’d be. Sure, there are some writers who do a far more strict version than I do, where every scene and beat is painstakingly draw out in detail. Others use a detailed synopsis. Just different strokes, y’know? But for me, having this backbone means that, even in times of crunch (which, let’s be honest,…