2010: A Year in Review

New headshot, courtesy of my ultra-talented sister-in-law.

In many ways, 2010 can be described in terms of loss. We started off by (accidentally…) losing our home. Then I lost the ability to write for a while, and spent the first eight months trying to figure out what the hell to do with myself. Along the way I lost 40 pounds (10 or so of which were surgically removed). Michael lost his job. Things felt pretty bleak there for a while, you might say.

But then, in spite of that, the year can be measured in terms of gain. I gained a new novel, Indigo & Ink, which I wrote during the pain period and, in my mind anyway, is one of the best things I’ve done to date. I gained lots of new publications (last year at this time, I had somewhere near two). I gained the sale of a novel. I gained amazing friends, local and afar. I gained a spectacularly awesome job. I wrote and wrote even when I couldn’t (thanks to dictation software) and gained the realization that yes, I am a writer. Even when I can’t type — when the unthinkable happens — I still tell stories. I tell them slower, but I tell them the same. And honestly, I don’t know what I’d do without that.

As I head into 2011, I have to believe it’s going to rock. I mean, it goes to eleven, people! Being part-hobbit, anyway, I have a superstitious thing about the number eleven. It’s got to be good.

Even before it’s started, there’s a heap of awesome: 2011 will see the publication of my first novel, Pilgrim of the Sky. My son will turn five and start kindergarten; I will turn thirty. I will celebrate seven years of marriage and eight years living in North Carolina. I like them odds, honestly.

So, come on over, 2011. Show me what you’re made of. I’m ready.

Updates in Nutshell. Or a Clam Shell.

I’ve been inexcusably quiet here the last few weeks, and no, it’s not because of NaNoWriMo. Again, real life and things got in the way of that. Let me tell you, there’s nothing I would have rather done than write a novel from scratch, revel in the joy of creation, and bask in the awesome of writing for the month of November. But life has a way of being a stinkypants sometimes, and that’s totally what happened. I won’t get into the details of the personal life stuff, but it comes down to the fact that I’ve been job hunting, working on GeekMom, doing the holiday thing, working on Crossed Genres, and using my extra time to catch up on some anthology submissions (and a sale) as well as edits for Pilgrim of the Sky. When I had less work to do, NaNo was far easier.

In addition, we just released the first issue of Crossed Genres edited by Jaym Gates and myself. A momentous occasion, to be sure, as I’ve never been an editor of such proportions before. I really enjoy the process of finding those stories that shine. I’m particularly fond of the steampunk/Chinese influenced world of Jaymee Goh’s story “Lunar Year’s End“, but the TOC is really strong all throughout. What other magazine brings you such a width and breadth of genres? It’s truly fun to be part of the Crossed Genres team, and we have lots in store for the months to come.

Also important to note, I decided to axe the original ending of the Pilgrim of the Sky in favor of something more… transcendental. The book now contains 100% more quahog and 100% sphinx. I will rework some of the 10K I chopped, including the climax scene, but my heroine needed more punch. And now she’s got it.

Meanwhile, I am doing my darndest to focus on Pilgrim and edits and publication and try not to let other issues in the publishing industry get to me. But it’s hard. My husband is always the first to remind me that I’ve made a huge amount of progress in the last few years, but I can’t let go of that annoying voice in the back of my head. The one that doubts. That tells me I’m really not terribly marketable (squids and exploding eyeballs and whatnot).

Then I tell myself to shut up. Because, in the end it doesn’t really matter, does it? It comes down to the fact that, hell or high water, I write. And writing will happen whether or not I’m marketable. Maybe one of the weird ass books I write will start a trend. Or maybe it won’t. It makes me happy. And that’s the most important part. *cue the strings*

Anyrot! The gears do keep on moving, and I am the machine. So tally-ho!

Lev Grossman on T.H. White and The Once and Future King

One of the subjects I will go on at length most often is, most assuredly, Arthuriana. My abiding love for that genre started with a gorgeous illustrated volume (an abbreviated Morte D’Arthur) given to me by my great-aunt, but really came to fruition during my Freshman year of college when I was assigned both The Once and Future King and The Mists of Avalon. Previous to this, the only fantasy I’d really read was Tolkien, L’Engle, Alexander, and some Terry Goodkind. And while Mists was very empowering, especially as feminist fantasy, T.H. White’s The Once and Future King changed the entire landscape of how I viewed fantasy storytelling.

If I had one book to keep with me until the end of the world, it would likely be The Once and Future King. I had no idea fantasy could be so multi-faceted, so humorous (and hilarious) and yet poignant. I can’t get through the damned book without sobbing (the scene with Gawain and Arthur in the tower… egads… hand me some Kleenex). But I can’t read it, either, without getting completely lost in the narrative, the philosophy, the language. It is, as far as I’m concerned, a truly magical book.

Which is all a roundabout way of saying that I read an NPR article today, where Lev Grossman, author of The Magicians, had something very similar to say. You ought to read/listen and take note. But here’s a good bit:

The Sword in the Stone set the standard by which I judge all historical fiction. It is also the most perfect story of a childhood ever committed to paper, and it is only the first part of The Once and Future King. What follows — Lancelot, Guinevere, Gawain, the Holy Grail — is a foregone conclusion to those who know the story of King Arthur. White took hold of the ultimate English epic and recast it in modern literary language, sacrificing none of its grandeur or its strangeness (and it is very strange) in the process, and adding in all the humor and passion that we expect from a novel. What was once as stiff and two-dimensional as a medieval tapestry becomes rich and real and devastatingly sad.

It’s no exaggeration to say that after reading The Once and Future King, I never looked at Arthur, or fantastical writing the same. And I am so thankful for that.

The Gnome and the Necromancer

With the month of November looming, it’s time to consider NaNoWriMo. Last year it was NaNoEdMo for me, as I was busy doing edits on Queen of None.  But this year,  I haven’t been writing much at all since I finished Indigo & Ink, and figured I could use November to focus. Edits on Pilgrim of the Sky aren’t due until early 2011, after all. Things have been… well, meh in a lot of ways, and I’m seriously in need of some writing therapy. Not to mention, it’s really fun being involved in something creative with a group of awesome friends.

So: enter The Gnome and the Necromancer. This is a departure for me. For one, it’s Urban Fantasy, and takes place in the modern day, here in our world, and not in a secondary world where the rules don’t apply. It’s also YA, the main character, Ruby, being all of fourteen. The other MC is a gnome, for lack of a better term, who is a professional kidnapper. He’s supposed to steal magical children and bring them to his side of the world, but he sort of slips up in Ruby’s case, and she ends up unleashing her powers inadvertently on our world.

Anyway, here’s the synopsis:

Ruby Benson is fourteen, and her life couldn’t be worse. Or so she thinks. When her cousin Calvin passes away in a tragic car accident at the age of sixteen, she accidentally brings back his soul from the Underworld: into her corgi. Her inadvertent magic spell triggers the Changeling Court, who realize–for the first time since her birth–that she was not taken as a baby, as she should have been.

Talfryn Windwake, the changeling gnome in charge of her case, gets sent back to Ruby’s side of the world to retrieve her. He expects the transition to go smoothly: after all, aside from not taking her when he should have fourteen years ago, he’s got a perfect record. But Ruby isn’t going down without a fight. As Talfryn struggles to redeem himself after his unforgivable error, Ruby must come to grips with her new abilities, and decide whether or not she wants to trade her old life for a new one… the life she should have had in the first place.

A bit more marketable? Perhaps. Nothing wrong with that, I don’t think. But it’s going to be both lighthearted and sad at times. Themes of death, loss, love, duty… you know, those sorts of things. And shorter. Hopefully no more than 65-70K, which should work well for the genre and the time!

Anyway: if you’re doing NaNoWiMo this year, feel free to friend me! You can find my page here!

My October Projects*

Novel editing has taken a pause in order to attend to two anthology submissions I want to finish. The good news: finished one last night, edited it tonight, will submit in just a bit. It takes place in the world of The Aldersgate, featuring three familiar faces to those who follow such things: Sir Gawen, Sir Renmen, and Sir Din. It takes place ten years before the events in the book, and tells the story of how Sir Gawen–once known around the Continent for his prowess and crazy mad skull-crushing skills–gave up his cushy captainship and joined the Order of the Asp.

The second story is posing more of a challenge. I am setting it in 1920s, post-Revolution Mexico City. And it has a jazz singer in it, as well as a Zapatista woman. Details are a little murky. Hoping to tease that one out in the next few days. (Now that I’ve written this down, chances are when I start to write I’m going to end up in Zimbabwe or something entirely different than I planned.)

Additionally: it’s almost Halloween! And it’s my husband’s birthday this weekend. So, I’m in Betty Crocker mode. Tomorrow is going to be dedicated to the making of sugary things, the sewing of creepy and cool things, and the entertaining of the child whilst attempting order. I have some truly intriguing stuff planned, including a host of squid-themed cocktails (a Squid Blood Martini, anyone?), spider chocolate eggs, and oh yeah, a birthday cake for my husband. I’m debating whether or not I should go for geeky or sappy. I have one idea that would likely make him cry in front of his friends.

At any rate, writing will stall out this weekend most likely. But once this second story is done, I’ll be able to resume edits on Pilgrim of the Sky (at the moment, it’s entirely a re-write; I’ve decided that the end needs to be redone. For the better. Really, truly, it’s a good idea… and only about 50 pages or so… parts of it I’m keeping, but the… well, clearly this requires a post in and of itself, but that will have to wait!).

I should totally be in bed.

*October Project was also a delightful musical group. I have them to thank–and my friend Elijah who introduced me to their album–for finishing my first novel, Peter of Windbourne, the first time. I finished it two other times since then, but y’know… The characters in the book are inextricably related to their self-titled album; I can’t even listen to it without thinking of scenes from the book.

A moment of blatant self-promotion

The Mammoth Book of Steampunk is looking for reprint recommendations. And whaddya know, but I’ve got a bunch of stories that would qualify for just that. They’re seeking suggestions over here. So if you’ve read something of mine that you like, please feel free to let them know! (I added some notes to help you remember each story.)

  • “The Brass Pedestal” – Steampunk Tales #4, Short Story category, November 2009 (Sophronia seeks revenge on her philandering, relationship-destroying brother by getting a bug implant and a metal corset)
  • “Dead’s End to Middleton” – Crossed Genres #16, Short Story Category, February 2010 (seven gun-toting, alien-killing sisters in the American West, and the kid who falls in with them)
  • “Dr. Adderson’s Lens” – Bull Spec #1 – Short Story category, Spring 2010 (invisible, soul-sucking birds, some zombies, and a very special lens)
  • “A Dear, Lovely Thing” – Faerie Magazine #20 – Short Fiction category, June 2010 (a skeptic professor discovers a clockwork fairy in her garden)

That should do it! Thanks in advance.

Official Pilgrim of the Sky Announcement from Candlemark & Gleam

I’m not terribly good at describing Pilgrim of the Sky. But thankfully, my publisher is! To get a better idea of what the book might be about, and what I’m currently immersed in edits with at the moment, consider the following from their announcement post:

How to describe this novel? Hm. That may be a tough one. It’s sort of…a world-hopping, reality-bending, art-historical, socio-religious steampunk odyssey. And that’s just for starters.

It takes place both in our world – in a corner of the world that I’m particularly familiar with and fond of, Western Massachussets – and in a number of other worlds, each of which has its own character and flavour. Natania has an unbelievable knack for description and imagery, and I can honestly say that the lush descriptions of Sixth World make me want to pack up and move there, just to get a taste of floating mansions, copper corsets, and electromagnetic horseless carriages in a refined pseudo-Victorian society that has some truly surprising twists to it.

But that’s only part of this novel. Pilgrim of the Sky also features murder, ambition, greed, multidimensional travel, and opiate abuse. You know, as you do.

That about says it, indeed.

I have an announcement…

Today is September 22nd, which happens to be the birthday of Frodo and Bilbo Baggins, give or take. And while this day is perfect for gorging on cheese and mushrooms, taking walks in the park among the trees, and starting adventures, it’s also a good one for announcements (or so I’d like to think).

No. I am not disappearing. I have no magic rings, and even if I did own one, I’d probably have lost it by now or else left you entirely. I’m far too much of a Took to let a ring sit in an envelope for years.

The announcement is this: I have sold my first book! And no, it’s not that one. And not that one, either. But it is Pilgrim of the Sky, and it will be finding a home at Candlemark & Gleam, with a release date (tentatively) of August 2011!

I got the news shortly after I got out of surgery, and after talking back and forth (as lucidly as I could manage) with Kate Sullivan, one of the editors, I decided that Candlemark & Gleam was really the best home for Pilgrim of the Sky. I wrote the book with independent, small presses in mind, and after it received one very perplexing rejection almost a year ago, I’d been waiting for a place I felt fit the vibe of the book. When I saw a Tweet announcing submissions for this new, ambitious, small press, I figured there was nothing to lose. Plus, I really like their approach.

Even cooler? I feel like they really get the book. Which is no easy task. Pilgrim of the Sky is genre-smooshing, incorporating science fiction, fantasy, time-travel, multiverse theory, metal corsets, steampunk, romance, Romantic poetry (especially Wordsworth), and a little bit of religion and a heap of art history. (And floating mansions. And did I mention a talking raven and a guy that turns into a horse? Can you see why I didn’t query this one to agents?)

Still, as strange as the book may be in its genre, it’s still rooted in reality, being the only book I’ve ever written to take place in the Pioneer Valley of Massachusetts, where I grew up. A lot of what I have to say in that book comes from the 18 years I lived there, and my experiences in that unforgiving climate. For that reason it’s surprisingly personal. The settings in many cases come straight from what I’ve seen–going from Northampton and the First Churches and Nini’s Pizza to Sunderland and the great, 18th century Colonial homes, then along the Masspike to Boston. (As I said in an old post just as I’d started the book: There’s something odd about that part of the world that you can’t quite put your finger on… it’s no coincidence that Lovecraft wrote about New England, let’s just say.)

I will keep you posted in the future, as I’m going to be heading into edits, soon. I’m one of those curious people for whom the editing process is enjoyable, so I’m actually thrilled to be revisiting Maddie, Randall, and everyone else–especially knowing that in less than a year I’ll be able to share their story with readers!

Picture yourself on a boat on a river…

I’m not terribly with it at the moment, but things are improving. Quite obviously I made it through the surgery, and after reacting horrifically to the anesthesia (I think I was actually throwing up before I woke up) I went home. For the time being I’m staying with my parents, and trying to rest. Really most of my day revolves around sleep. But hey, the body heals best in that state, so there you go. Right now it’s a matter of mitigating pain, which is, at times, pretty astonishingly intense. Yay for drugs.

Other than that, I’m trying to catch up on some movies I haven’t seen in a while, and thinking it might be time to crack open at least one of the Firefly episodes I’ve been saving for that special day in the future. It isn’t that often one undergoes surgery, after all.

I received some very cool news yesterday, but I am not yet at liberty to share. Or at least I’m superstitious about these things and want to wait a bit. But that was immensely good to get on the other side of the surgery debacle. Through the haze of medicine and whatnot, it was much appreciated. Life goes on, as they say.

Thank you to everyone for your support, good vibes, prayers, and thoughts. I’m a lucky person to have such friends, near and far, old and new. *hugs*

Weird Tales Uncanny Beauty Issue

Picture via Jeff VanderMeer's Flickr stream

I’ve been waiting to talk about this until it was official but, hey, look: official! And awesome. I had the privilege of coming up with a project together with Brigid Ashwood, a brilliant artist and fellow lover of speculative fiction. The piece in the upcoming issue is entitled “The Wakened Image” and it’s a look at some of the “made” women in mythology, taken from the Mabinogion and Ovid’s Metamorphoses. Brigid helped me brainstorm the subject, and then I wrote a three-part poem in blank verse; Brigid provided some astonishingly beautiful pictures to accompany the text.

The issue isn’t available yet, but soon. I’ll keep you posted. I am so excited to share this piece, and definitely squeed a little seeing my name on the front of Weird Tales. Who wouldn’t? :)